"An ingenious puzzle of love and deception..." —The New York Times on Heights (the movie) [full story] "One of the best films of the season. A wonderfully-acted, inteligently written and directed drama." —NBC TV "An entertaining ensembler marbled with wit and heartache ... [the] script's confident literary structure facilitates emotional involvement while sustaining an aura of secrecy until the final reel." —Variety on Heights (the movie) "A startlingly mature screenplay ... Heights is the movie I wanted Closer to be ... an eviscerating look at the state of modern relationships." —Miami Herald on Heights (the movie) "It's a rare display of confidence from two first-time filmmakers — director Chris Terrio and screenwriter Amy Fox — that they’re willing to take their characters to complex, dark places, when it could have been easier to create yet another romantic comedy." —Associated Press on Heights "Director Chris Terrio and screenwriter Amy Fox arrange a creepy little round robin of betrayals ... In a season when most of Hollywood is plumbing silliness, Heights is aiming — and reaching — a little higher." —NPR on Heights "Honest and touching ... Amy Fox shows a talent for creating multidimensional characters with both clear and intriguing motivations." —FilmThreat.com on Heights (the movie) "...only a writer of Fox's ferocious talent could have turned this premise into a wholly convincing love story with unprententious musings..." —Time Out New York on Summer Cyclone "To Ms. Fox's credit she provides no facile answers to the questions she raises, and approaches the conflicts they present with a warmth of understanding that finds the beauty in human weakness, whether of flesh or spirit..." —The New York Times on Summer Cyclone "Amy Fox is a very graceful, sophisticated writer [who] isn't afraid to tackle powerful themes and difficult material." —Back Stage on Summer Cyclone "Fox's play is deftly written and packed with taut dialogue and bitter melancholy." —Time Out New York on Heights (the play) "Hilarious ... [a] comment on how much more sophisticated we are than we used to be about sexual orientation as a factor in romantic competition." —The New York Times on Heights (the play) "Heights ... moves briskly towards its inevitable conclusion with cohesive playing and quiet moments of compassion." —The Times (London) on Heights (the play)